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DANIEL SUTIN, Baritone As Rigoletto in Rigoletto Daniel Sutin did not act Rigoletto, he was rigoletto. With goosebump-producing intensity he protrayed the intriguing and sad father without any hint of weeping cliches. On his voluminous, rich faceted and intelligently, differentiated baritone this is one voice that can be relied on at any time. Rheinische Post News Syndicate, September 11, 1999 Daniel Sutin as Rigoletto is wonderful to Hear and to See. Westdeutsche Zeitung, September 11, 1999 As Counte de Luna in Il Trovatore "The surprise of the evening was Daniel Sutin as Count de Luna. The Cavalier-Baritone intensified his character from act to act. The Duet with Leonora worked both naturally and effortlessly with a powerful and manly vocal radiance resulting in a big ovation at the conclusion of the scene." Dirk Richerdt, Rheinische Post April 14, 1998 "Daniel Sutin was winning in the Role of Count de Luna. He has both a wonderful voice and is a sensitive actor." Dita von Szadkowski, Stadt Spiegel (Krefeld) April 15, 1998 As Mr. Falke in Die Fledermaus "Daniel Sutin played and sang with wit and charm. He made Falke believable in his pursuit of adventure, intrigue and gamesmanship." Ute Buchter-Romer, Westdeutsche Zeitung, January 1, 1998 As Sid in Albert Herring "The baritone Daniel Sutin was lively in his movements on the stage and sang flawlessly." Rheinische Post, February 15, 1998 As Wozzeck in Berg's Wozzeck "The incredible Singer-Actor achievement of Daniel Sutin as Wozzeck - gripping, heart breaking, and convincing. Peter Bilsing, Der Opernfreund, Munchen, June 1998 "Like a down beaten dog that raises his head and throat despite being beaten emotionally and physically, Daniel Sutin gives this part believeability through his singing and acting ." Dirk Richerdt, Rheinische Post May 11, 1998 As Onegin in Eugen Onegin "...Staatstheater Darmstadt presented Daniel Sutin [who has] a bright, powerful baritone voice, which showed us the mounting desperation of the unhappy main character with [the use of] remarkable vocal shadings..." Darmstadter Echo, June 10, 1994
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